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Shure Microphone Studio Condenser Cardioid; Replaces KSM27

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Shure Microphone Studio Condenser Cardioid; Replaces KSM27

Shure Microphone Studio Condenser Cardioid; Replaces KSM27

Shure Microphone Studio Condenser Cardioid; Replaces KSM27

The SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio.

Performance Characteristics:

Extended frequency response

Low self-noise

Exceptional low-frequency reproduction

Can withstand high sound pressure levels (SPLs)

High output level

No crossover distortion

Uniform polar response

Superior common mode rejection and suppression of radio frequency interference (RFI)

Applications:

Voice and vocals

Electric guitar amplifiers

Brass and woodwind instruments

Orchestras, choirs, and wind ensembles

Overhead miking of drums and percussion instruments

Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion

Low-frequency instruments such as double bass and kick drum

Room ambience pick-up (guitar amplifier or drums)

$504.05
Shure Microphone Studio Condenser Cardioid; Replaces KSM27—
$504.05

Product Information

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Description

Shure Microphone Studio Condenser Cardioid; Replaces KSM27

The SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio.

Performance Characteristics:

Extended frequency response

Low self-noise

Exceptional low-frequency reproduction

Can withstand high sound pressure levels (SPLs)

High output level

No crossover distortion

Uniform polar response

Superior common mode rejection and suppression of radio frequency interference (RFI)

Applications:

Voice and vocals

Electric guitar amplifiers

Brass and woodwind instruments

Orchestras, choirs, and wind ensembles

Overhead miking of drums and percussion instruments

Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion

Low-frequency instruments such as double bass and kick drum

Room ambience pick-up (guitar amplifier or drums)